What Does The Walking Dead Do Now?


With the bomb that was dropped on the world of The Walking Dead in the form of the announcement of Andrew Lincoln’s departure from the series at some point next season, it is truly the end of an era for the zombie apocalypse drama. Lincoln’s portrayal of Rick Grimes has been the driving force of the show from the pilot’s opening scene until now. It’s all been about Rick, his choices, and how they effect the others in his group and those that oppose them. So what does the one-time ratings giant do now that it’s losing its star? Who can step into that lead role?

This is actually a situation that has been building for quite some time in the comics on which the show is based. Rick’s son Carl has been just as much a focal point as his father in story arcs over the last several years. The series’ creator, Robert Kirkman, has implied on more than one occasion that Rick is going to die in the relatively near future, and that Carl will take over as the lead character. It makes perfect sense. And it would have made perfect sense for the show as well…but unfortunately, Scott Gimple idiotically (and I’d say rather shadily) fired Chandler Riggs from the show last season. Carl is already dead. So the character that is literally a product of that world, who has been raised in it, lived a good portion of it without the safety of walls, had to fight to survive, and has killed both people and walkers alike to do so, is not an option. Which is a shame as even Negan commented last season after discovering that Carl had outwitted him in the bombing of Alexandria, that Carl was “made for this shit”. And he really was.

But I digress. I could write an entire article on how stupid the decision to kill off Carl was….but I won’t, and that’s not what this article is about. Another strong choice would have been Maggie, played exceptionally by the lovely Lauren Cohan. Sadly, she is only signed up for 6 episodes this season, and has accepted a role on a new show on ABC, meaning Season 9 will almost assuredly be her last. This is even more notable in that with Carl gone, and now Rick and Maggie following shortly behind, that three major characters that are still alive in the comic are now going to be dead on the show.

So with Carl and Maggie sadly out of the picture, who is really a prominent enough character and actor to take over? Daryl would have been a decent choice a few seasons ago, but his character has devolved down to a shell of his former badass self, speaking mostly in grunts, living in a constant state of anger, and continually making stupid decisions that cause horrible outcomes. Maybe Carol? While I know she has a large fan following, I’m personally not one, but even looking at her objectively, I just don’t see enough in her character to be a lead. Same with Michonne and Ezekiel. Love them both, but they’re just not big enough personalities to take over that role.

The only character I really see with that kind of personality and is played by a large enough star to build the show around is Negan. But how crazy would that be? That the man that murdered fan favorites Glenn and Abraham, scarred Dwight’s face, ordered the attack that killed most of the people from the Kingdom and Hilltop, and bombed Alexandria could take over as the lead of the series. I would think that would have to be the biggest character turn in television history. To go from the primary antagonist for 2+ seasons, and being the baddest of the big bads in the series, to the lead protagonist. But in all honesty, I don’t know how they could go with anyone but him. If nothing else, should they choose to go that route, it would certainly make seeing his progression over Season 9 particularly interesting.


Do We Really Need a Standalone Joker Movie?


The DCEU has decided, despite its mixed at best reception, to make a spin-off of Suicide Squad with a standalone Joker movie starring Jared Leto. This comes after a Joaquin Phoenix-lead Joker film had been announced as well. It appears DC is prepared to go forward with both. Why make two standalones of the same character at the same time, but played by different actors? In what ways, if any, will these movies be connected? How will they tie into the DCEU as a whole? But the real question is, do we even need a solo Joker movie?


Don’t get me wrong, I love the character. My love for him as a villain is almost equal to my love of his nemesis, the Caped Crusader, Batman. And we all know how much I love me some Dark Knight. But the problem is that everything that makes the Clown Prince of Crime so interesting is tied into his relationship with Batman. He is a fantastic foil and counterpart to Batman. He is an agent of chaos, while Bats is a sentinel of order and justice. Joker is a homicidal lunatic; Batman, while violent in his own right, won’t cross that line into killing (unless it’s Michael Keaton and Ben Affleck behind the cowl, then they’re just as much a murderer as Joker). And that’s a line Joker constantly taunts Batman to cross. It’s those diametrically opposing ideas and the dynamic they create that makes their relationship so compelling.


Further tying the two together is the idea that the Joker wouldn’t even exist, at least not at the level his has reached, without Batman. Would the man that became the Joker still be a psychopath? Absolutely. But the Dark Knight gives him an object on which to focus his psychosis. With Batman’s resistance and constant thwarting of his plans, Joker’s psychopathy escalates. This is not to say that Batman is responsible for the Joker’s condition, but simply to illustrate the co-dependence to his enemy in the Joker’s mind. Never was this more on display than in Frank Miller’s influential The Dark Knight Returns, where after decades of crime-fightning, Bruce Wayne hangs up his cape. Without a target to channel his madness, the Joker becomes catatonic. But when Bruce is forced out of “retirement” by a new threat, Joker’s horribly deranged mind springs to life again, causing him to murder an entire studio full of people on television just to get Batman’s attention.
Literally everything the Joker does is done as a way to hurt or punish Batman in a twisted game. Not grasping that concept (along with his utterly stupid appearance) was already a major flaw in Leto’s Joker, where he was willing to go to great lengths to rescue Harley, not something Joker would do unless it was directly part of a plot against the Caped Crusader. Which it was not. Just perpetuated the incorrect notion that he actually cares about her. He doesn’t. At all. She’s nothing but an expendable pawn to him. Throughout his history in the comics, Joker has murdered the second Robin, Jason Todd, paralyzed and sexually assaulted Barbara Gordon, and kidnapped and threatened to murder Nightwing, Robin, Alfred, Catwoman, Batgirl, Red Robin, and Jim Gordon all in attempts to hurt Batman without actually killing him.


Even if we could go back in time and get a standalone film of Heath Ledger’s incredible portrayal of the Clown Prince of Crime, I wouldn’t be that interested. Hell, even if it was an animated movie with the ultimate Joker, Mark Hamill, providing the voice, I wouldn’t want it without Batman. Essentially what it all boils down to is that the Joker is a fantastic supporting character. He is amazing as the nemesis of Batman. But as a standalone figure, what can really be done? There’s nothing about him that is interesting strictly in and of himself. He needs Batman to play off of. Without that, he’s just any other mad man.


The Cavalcade of Comic Films Continues

With three huge comic book movies (Black Panther, The Avengers: Infinity War, and Deadpool 2) and one not-so-big (I Kill Giants) having already been released, one might think the onslaught of film adaptations of comic properties was over for the year. You would be wrong. The movie-going public has obviously shown that they love films based on comic books/graphic novels. Don’t believe me? Check out the top-grossing movies list. Comic book movies account for 9 of the top 50, including 4 of the top 10. As long as we keep spending money to see them, Hollywood is going to keep making them. And if we get quality films like the big three from this year, that’s a very good thing.

The movies on the horizon are a bit more varied than what’s come before, including two animated comic films, something we don’t get at the theater very often. Here’s a breakdown of what we have to look forward to the second half of 2018.

Ant-Man & the Wasp (July 6)


Paul Rudd returns for the follow-up to 2015’s Ant-Man. It’s been announced that the tone of the sequel will differ slightly from the heist movie genre of the original. It’s a bit of a gamble to mess with the genre of a movie that was so positively received, but the trailers definitely make it look like a lot of fun and the action sequences seem to be ramped up with the Wasp and her hand-to-hand combat skills being put to good use. The villain also seems much cooler this time around. Instead of another villain with the same power set as the hero, like Yellowjacket, we get one (Ghost) using Pym’s technology in new ways: phasing.


Teen Titans Go! To the Movies (July 27)


A feature length tie-in to the popular family-friendly cartoon Teen Titans Go! While a lot of fans of the comic aren’t extremely fond of the humor-driven, child-focused way the Robin-lead team is portrayed, it has been a relatively successful franchise for Cartoon Network. If you’re a fan of that style, I’m sure you’ll enjoy this movie too. Look for lots of jokes and some fourth wall breaking, especially regarding the movie’s villain, Deathstroke, who is the character Rob Liefeld essentially copied in his creation of Deadpool.


Venom (October 5)


First off, I’m going to pat myself on the back. Long before Tom Hardy was cast to play the lead in this film, I wrote saying that he was the man perfect for the role (though I wanted the character in the MCU, not in a standalone flick for Sony). So kudos to me for my brilliance and to Hollywood for listening. You’re welcome. Now that my self-congratulatory silliness is out of the way, I can get to the actual preview. Despite my assertion that Tom Hardy should play Eddie Brock, and my love of pretty much everything he’s ever done, I have mixed feelings about this one. The accent he’s using is odd. I don’t hate it, but I’m not digging it right now. It may grow on me though (symbiote pun intended). I’m not crazy about the look of Venom either. The texture looks kinda like it’s covered in Vasoline, and instead of a single row of sharp, gnarly teeth, it’s got shark mouth, creating a very full mouth that seems impractical for actual speech. Also, the tag line in the trailer, “Embrace your inner anti-hero”, is beyond lame. But as I’m a huge fan of Hardy, I’m still going in with cautious optimism. And surely this can’t be worse than the abomination that was Topher Grace’s turn as the Lethal Protector.



Spider-Man: Into the Spider-Verse (December 14)


Another animated feature, as well as an additional entrant in Sony’s Spider-Man franchise. Focusing on the Miles Morales version of the Wall Crawler instead of the original Peter Parker one, the movie has the opportunity to offer a fresh take on an overly-saturated character. The animation style looks cool and interesting, drawing more from comic style art instead of more traditional types. They’ve yet to announce the villain, but with Liev Schreiber cast in an undisclosed role, one can assume he’s slotted to play whoever that villain may be. My guess would be the demonic-looking Ultimate version of the Green Goblin, but we’ll see.


Alita: Battle Angel (December 21)


Admittedly, I have never actually read any of the Japanese comic series Gunmu (known as Battle Angel Alita in the US), so I have no preconceived expectations for this movie. From what I’ve seen in the trailers, the film looks to be beautifully shot and the visual effects look amazing. I’m also very intrigued by the plot. I’m looking forward to this one. Makes me kinda want to run to the local comic shop and see if they’ve got any of the books I could check out before going to see the movie, but I also like the idea of going in with a clean slate. Decisions, decisions.


Aquaman (December 21)


Not looking forward to this one as much. First off, it’s another installment of the incredibly disappointing DCEU, a film franchise that has produced literally ONE truly good movie (Wonder Woman). Second, it’s Aquaman. He’s a watered-down (again, pun intended) rip-off of Marvel’s vastly superior Namor. His power set is weak and just shy of useless. Slapping tribal tattoos on a muscled up Hawaiian doesn’t change that. Speaking of which, I’m not a fan of Jason Momoa either. I’ve never been impressed with his acting in anything I’ve seen him in, including his debut as the half-human, half-Atlantean in Justice League. The rest of the cast seems good though. I’m also concerned with James Wan as the director. His filmography is almost exclusively horror, with one turn directing an installment in the brainless, over-blown Fast & Furious franchise. So I’m a bit worried what the tone is going to be like, especially considering that an unnecessarily dark tone and overly-drawn out, poorly constructed over-the-top action sequences have been two of the major issues with DC’s interconnected universe. So I’ll probably do like I’ve done with most of the DCEU films and wait til blu-ray to watch it so I’m only out a couple of bucks for a rental if it sucks.

25 Greatest Comic Character Portrayals (First Revision)

It’s been a couple of years since I made the first edition of this list. With the plethora of new comic films that have been released since then, several of which have introduced us to new characters or at least new takes on established ones, I figured it was time to dust off the old list and give her a revision. As before, I looked at a combination of performances that stayed true to the comic counterpart and just plain old great acting to create a compelling character. Some of them lean more towards one side of the equation, but I feel like all of them touch on at least a little of both. Some portrayals have risen in the ranks, some have fallen, and several fell off all together. Also like before, with several of these characters having been played by multiple people, I list the actor and what movie(s)/television show the portrayal is in.

Portrayals that fell off from the previous list:
Michael Sullivan (Tom Hanks) – Road to Perdition, Gwen Stacy (Emma Stone) – The Amazing Spider-Man, Marv (Mickey Rourke) – Sin City, Professor X (Patrick Stewart) – X-Men, Superman (Christopher Reeves) – Superman, Nick Fury (Samuel L. Jackson) – Marvel Cinematic Universe, Jim Gordon (Gary Oldman) – The Dark Knight trilogy

25. The Flash (Grant Gustin) – The Flash

When Harry Met Harry...


24. Erik Killmonger (Michael B. Jordan) – Black Panther



23. Negan (Jeffrey Dean Morgan) The Walking Dead



22. X-23 (Dafne Keen) – Logan



21. Rick Grimes (Andrew Lincoln) – The Walking Dead



20. Rocket Raccoon (Bradley Cooper) – Marvel Cinematic Universe



19. Peggy Carter (Hayley Atwell) – Marvel Cinematic Universe



18. Kilgrave (David Tennant) – Jessica Jones



17. V (Hugo Weaving) – V for Vendetta



16. Black Widow (Scarlett Johansson) – Marvel Cinematic Universe



15. The Comedian (Jeffrey Dean Morgan) – Watchmen



14. Black Panther (Chadwick Boseman) – Marvel Cinematic Universe



13. Rorschach (Jackie Earle Haley) – Watchmen



12. Wolverine (Hugh Jackman) – X-Men



11. Spider-Man (Tom Holland) – Marvel Cinematic Universe



10. Loki (Tom Hiddleston) – Marvel Cinematic Universe



9. Deadpool (Ryan Reynolds) – Deadpool



8. Thanos (Josh Brolin) – Marvel Cinematic Universe



7. Kingpin (Vincent D’Onofrio) – Daredevil (TV series)



6. Daredevil (Charlie Cox) – Daredevil (TV series)



5. Batman (Christian Bale) – The Dark Knight trilogy



4. Captain America (Chris Evans) – Marvel Cinematic Universe



3. Iron Man (Robert Downey, Jr) – Marvel Cinematic Universe



2. J. Jonah Jameson (J.K. Simmons) – Spider-Man



1. The Joker (Heath Ledger) – The Dark Knight

screen shot 2015-08-11 at 2.45.34 pm


So what do you think? Who’s too low? Who’s too high? Who got left off that shouldn’t have been? Let me know in the comments.

The 100% Organic, Gluten-Free, Locally-Sourced Deadpool 2 Review…Now in Spoiler-Free Flavor (Warning: May Contain Nuts)



Continuing the story of a film that shocked everyone with its success is always a mixed bag. Sometimes the sequel lives up to the original (Guardians of the Galaxy Vol. 2), sometimes it doesn’t (Sin City: A Dame to Kill For). But I was optimistic for the follow-up to 2016’s blood-spattered, four-letter-word-filled Deadpool. My only worry was that we would get a movie that tried too hard to re-create the first and falter under its own weight.


I’m very happy to report that that was not the case. While Deadpool 2 very much stays true to its predecessor in feel and humor, the gags and pop culture references are fresh and different. While there are some callbacks to gags from the first film, like continued verbal barbs directed at Wolverine, there aren’t any recycled jokes just with different circumstances like some comedy sequels (looking at you Austin Powers franchise). I also think incorporating so many new characters helped to give Deadpool fresh material to work with. His interactions with the members of the newly-formed X-Force are particularly hilarious. Especially those between he and Domino, whose mutant ability is probability manipulation. At one point, he literally spends an entire action scene arguing against luck being a super power…and it’s fantastic. Not to say that his banter with the returning Colossus and Negasonic Teenage Warhead (which is just as much of a handful to type as it is a mouthful to say) aren’t great as well.


Speaking of new characters, Josh Brolin’s turn as time-traveling, cybernetically-enhanced badass Cable is great. While he plays a similar role to Colossus in that he’s sort of the straight man to Deadpool’s insanity-laden humor, his routine doesn’t feel as much like schtick. This is not to say that he doesn’t have funny lines. In fact there are a couple of times where he dishes out just as much foul-mouthed goodness as Deadpool gives him. His motivations, while slightly myopic, are relatable and tragic. If I were to give one pseudo-spoiler, though I wouldn’t consider it one, in that it’s apparent very early on in the movie that this is the case: that while he and Deadpool are at odds, Cable is not the real villain. I won’t go into who, but there is a surprise villain that actually ends up being much more a true antagonist.

I’ve read that some critics felt the movie’s tone jumped around a lot, and while I agree with that sentiment to an extent, I feel like it is in-line with the character and his personality, and in no way makes the film feel disjointed. I felt like with most of the more dramatic or sad moments, you’re given adequate time to soak it in before the onslaught of dick jokes is continued. The violence and action are ramped up for the Merc With the Mouth’s second solo outing, but they don’t feel forced or out of place within the story. The level of gore is up probably a few ticks this time around as well, but it’s all done for comedic purposes and never seems to take away from the moment.


Do I think that Deadpool 2 captured all the magic of the first film? No. But it is incredibly fun and entertaining its own right. There’s plenty to enjoy if you are a fan of the character or the last movie. There are lots of little Easter eggs and cameos as well for those paying close attention, including a little jab at Deadpool’s co-creator (suck it Liefeld, learn to draw feet!). All in all, I’d give Deadpool 2 a solid 3.5 out of 4 chimichangas.


20 Greatest Comic Book Television Series

* = indicates an animated series

20. Spider-Man*


Kicking things off on the list is the Spider-Man animated series from the 90’s. Did a fantastic job weaving together both classic and modern elements of the Wall Crawler and his vast array of supporting characters. Was, along with Batman: The Animated Series, largely responsible for the resurgence of comic book properties in the mainstream and the corresponding boom in merchandise.

19. Lois & Clark: The New Adventures of Superman


After the flop that was Superman IV: The Quest for Peace, the Man of Steel laid virtually dormant as a media property outside of comics. This is the show that really brought him back to the public eye. Dean Cain played a serviceable, if not spectacular Superman, but his chemistry between he and the beautiful Teri Hatcher was the driving force of the series.

18. Sabrina the Teenage Witch


Fun and easily accessible. A good portion of the fanbase for this teen supernatural comedy have no idea that it was actually a modernized take on an Archie Comics series. While Melissa Joan Hart was great in the titular role, the real star of the show was the animatronic cat, Salem.

17. Batman


Yes, it’s campy. Yes, it strips away all of the darkness and edge from the Caped Crusader. Yes, it is just downright silly at times. And yes, it is ridiculously entertaining in its own right.

16. Legends of Tomorrow


The first of 3 of CW’s series of inter-connected DC properties known as the “Arrowverse.” A ragtag team of former villains and fallen/disgraced heroes all in search of redemption as they travel through time battling threats to humanity. Not as consistent as Arrow, but at its best, I actually think it’s better.

15. Agent Carter


Simultaneously a spin-off of both Agents of S.H.I.E.L.D. and the Captain America film franchise, Agent Carter followed the life of Cap’s old love interest Peggy Carter and her struggles to prove herself as not only a capable agent, but actually the best agent in a male-dominated world. Really bridges the gap between the MCU movies and television series.

14. Arrow


The show that launched CW’s “Arrowverse.” Much darker in tone than the other series in the shared universe, without being too dark. While Stephen Amell looks the part of Oliver Queen pretty well, and I appreciate his commitment to the parkour and training regimen for the role, his acting always seems to fall a bit flat, especially in comparison to some of his co-stars like Emily Bett Rickards (Felicity Smoak) and David Ramsey (Spartan). Known for strangely consistently using Batman villains instead of digging deep into Green Arrow’s rogues gallery.

13. Teenage Mutant Ninja Turtles*


Considered by many to be the definitive take on Kevin Eastman and Peter Laird’s iconic crime fighting reptiles. Much more lighthearted and funny, and less faithful to and focused on the samurai culture than the original comic, but responsible for creating many of the personality traits and characteristics that have become widely-accepted parts of these beloved characters, including the turtles wearing different colored masks and making April O’Neil a reporter instead of a computer programmer and lab assistant.

12. Luke Cage

luke cage

While the series’ first season feels a bit uneven, with a fantastic, engaging first half followed by a slow, sometimes to the point of boring, second half, when it’s good, it’s very good. A huge part of that imbalance comes from the lack of Cottonmouth (played brilliantly by Mahershala Ali) in the back half, and the antagonist focus shifting to the poorly developed, far less interesting, Diamondback. Here’s hoping the second season can reach a little more consistency.

11. Preacher


Loosely based on Garth Ennis and Steve Dillon’s seminal comic series of the same name, about a Texas preacher who becomes imbued with supernatural powers on his journey to literally find God. The first season serves almost as a prequel, with small pieces of the early issues woven in. While there are several great performances on the show, the true stand out is Joseph Gilgun as the hard-drinking Irish vampire, Cassidy.

10. Agents of S.H.I.E.L.D.


The first television entrant in the Marvel Cinematic Universe. Started off a bit slow, but by the end of the first season, it really found its legs, thanks in large part to direct connections to the plot of Captain America: The Winter Soldier. Focuses on a team of specialized agents on clandestine missions for the government lead by Phil Coulson (resurrected after the events of The Avengers), and features one of the most diverse ensembles on television.

9. X-Men*


Piggybacking off of Jim Lee’s excellent, highly successful run on the X-Men comics, the animated series was largely faithful to the source material and served as the entry point into the X-Men universe for a lot of kids in the mid- to late-90’s. And how much sadder would the Internet be without the overdubbed parody clip “I’m the Juggernaut, bitch!”?


8. The Tick*


Off-beat, quirky, and incredibly funny, The Tick may have only lasted for a mere 36 episodes, but it quickly developed a large cult following. Detailing the exploits of the extremely strong, but equally as dim-witted superhero, The Tick, the show did a tremendous job lampooning superhero archetypes and cliches.

7. Tales From the Crypt


HBO’s horror anthology series is famous for the amazing guest starring roles it seemed to pull in every episode and the iconic pun-spewing host, the Crypt-Keeper. Borrowing several stories directly from the 1950’s EC Comics series, and paying homage to the classic horror style in the stories that weren’t, one of the best series in the genre.

6. Jessica Jones

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Heavy and gritty, the Netflix series delves deep into the scarred psyche of the super-powered titular hero (Krysten Ritter) and the effects of the PTSD she suffers after being raped and forced to kill by the mind-controlling sociopath Kilgrave (played to surprisingly icky perfection by David Tenant). Might have been even higher if not for a somewhat disappointing second season.

5. The Flash


Proof that you don’t have to be dark to make a great comic TV show. Centered around the Barry Allen version of the Scarlet Speedster, The Flash is compelling, smart, and just downright entertaining. Grant Gustin is wonderful in the lead role and is surrounded by a great cast of supporting characters, with Wentworth Miller’s take on Captain Cold being a personal favorite. The only real issue with the series has been its over-reliance on speedsters as the primary villain, finally breaking that mold in the 4th season.

4. The Punisher


Spinning off of Daredevil, Netflix’s The Punisher is as violent and brooding as you’ll find in a comic book based TV series. Jon Bernthal finally brings us the live action version of Frank Castle we’ve been waiting for. Even as violent as it is, the mayhem and blood never seem forced or over the top, but instead feel like a necessary part of the story of brutal justice for a man who had his family taken from him.

3. Batman: The Animated Series*


Definitely the top animated series in the world of comics, and in the discussion for best cartoons period. Darker and more well-written than the average animated fare. For many people, myself included, this is THE definitive portrayal of both Batman and the Joker, played to perfection by Kevin Conroy and Mark Hamill, respectively. Also responsible for creating the beloved Harley Quinn and the now-canonical tragic backstory for Mr. Freeze.

2. Daredevil


Netflix’s dark, gritty take on Marvel’s Man Without Fear, is the greatest superhero show ever produced. Compelling storytelling and some of the best fight choreography you’ll ever see are highlighted by incredible performances from Charlie Cox as the titular hero and Vincent D’Onofrio as his nemesis Wilson Fisk, aka the Kingpin.

1. The Walking Dead


Easily the greatest television adaptation of a comic book, and arguably one of the greatest series in general. While the show has definitely taken a step down in quality as of late, it is still a fantastic journey into the human condition. When all of society crumbles after a zombie outbreak, you get to see who people really are. Watching the character progressions of Rick (Andrew Lincoln) and Carl Grimes (Chandler Riggs) are especially captivating.

Worst Comic Book Character Portrayals

While there have been many truly incredible portrayals of characters in comic book movies and television series, there have also been more than a few absolute clunkers. Some of these aren’t necessarily the actor’s fault; they were just written horribly, given awful dialogue, or were stuck with crappy plots. But whatever the reason, they still flopped. Here are my worst of the worst.

25. Iron Fist (Finn Jones) – Iron Fist

Iron Fist
Netflix’s Iron Fist isn’t very good. It lacks an identity, has subpar fight choreography for a show about a Kung Fu master, and the worst thing about it is the lead. There’s literally nothing interesting about Danny Rand. He comes across as whiny and immature. For someone that’s supposed to be a “living weapon”, I wasn’t blown away by his fighting ability. In fact, I’d take Charlie Cox’s Daredevil over his Iron Fist any day.

24. Mystique (Jennifer Lawrence) – X-Men First Class, X-Men: Days of Future Past, X-Men:Apocalypse


Jennifer Lawrence is a fine actress and seems quite likable as a person, but her portrayal of Mystique is so inconsistent. Her motivations and characterization seem to change from movie to movie, and are whatever the writer needed her to be in that story.

23. Ghost Rider (Nicholas Cage) – Ghost Rider, Ghost Rider: Spirit of Vengeance 

Ghost Rider

Ghost Rider would be a very easy character to make silly and over-the-top, and Nicholas Cage didn’t even attempt to play it otherwise. He’s already known for being quite the over-actor, and it’s on full display here, complete with terrible puns and one-liners.

22.  Dr. Doom (Toby Kebbell) – Fantastic Four


Will we ever get a good Dr. Doom in a live action movie? Hollywood writers just can’t seem to understand the things that make the character great and compelling. Sadly, another entrance in a long line of failed attempts at bringing Victor Von Doom to life.

21. Jane Foster (Natalie Portman) – Thor, Thor: The Dark World


Natalie Portman reportedly hated being in Marvel movies, and it shows. For such a talented actress, her performance is flat and uninteresting. She also has zero charisma with Chris Hemsworth, making for a very blah love story.

20. Batman (Ben Affleck) – Batman v Superman: Dawn of Justice, Suicide Squad, Justice League


If there’s anyone that clearly hates playing their role in a comic movie more than Natalie Portman, it’s Ben Affleck when he dons the cape and cowl. He seems like he’d literally rather be anywhere but making these movies. With the quality of the 3 DC movies he’s been in, I can’t entirely blame him.

19. Colossus (Daniel Cudmore) – X2: X-Men United, X-Men: The Last Stand , X-Men: Days of Future Past


One of several prominent X-Men characters that are supposed to be from countries other than the US that are passed off as American in the films. Piotr Rasputin, otherwise known as Colossus, is supposed to be from Russia, yet there’s no hint of a Russian accent on him whatsoever. And for a character whose power is to turn his skin into organic steel, we actually see him transform once for all of about 15 seconds in 3 movies.

18. Electro (Jamie Foxx) – The Amazing Spider-Man 2


Another example of a good actor being stuck in a crappy role. Completely devoid of interest, and despite what was clearly meant to be a sympathetic role, you don’t even feel sorry for the guy because he’s so badly written.

17. Sebastian Shaw (Kevin Bacon) – X-Men: First Class


Kevin Bacon delivers one of the most one-dimensional performances of his career. You just don’t care about his character whatsoever, nor is the character anything close to resembling his comic book counterpart.

16. Storm (Halle Berry) – X-Men, X2: X-Men United, X-Men: The Last Stand, X-Men: Days of Future Past


Here’s where the “drop the accent” game started in the X-Men franchise. Halle Berry at least attempted an inconsistent one in the first film, but then dropped it all together in the second movie on. Spoiler alert: this isn’t the only time Ms. Berry will be appearing on this list. I promise I’m not picking on her as a performer in general…just in comic movies apparently.

15. Apocalypse (Oscar Isaac) – X-Men: Apocalypse


Everything about this take on Marvel’s first mutant falls completely flat. Poorly acted. Poorly written. Poorly designed. Even his plans and motivations don’t make sense. Severely disappointing as I love Apocalypse in the comics and had high hopes for him here.

14. Mary Jane Watson (Kirsten Dunst) – Spider-Man, Spider-Man 2, Spider-Man 3


Could they have made audiences care less about the love interest of the hero? Mary Jane is supposed to be a constant, grounding force in Peter Parker’s otherwise tumultuous life, but here she’s flighty, annoying, and really serves no other purpose than damsel in distress and creating relationship drama…bouncing around between 7 different relationships in 3 movies.

13. Diamondback (Erik LaRay Harvey) – Luke Cage


I am unfamiliar with Harvey’s work outside of Luke Cage, but I seriously hope it’s better than what we got in the Marvel Netflix series. Tries way too hard to come across as a cool villain, but it doesn’t work at all. Just rather boring to be honest, especially in the shadow of Mahershala Ali’s brilliant performance as Cottonmouth.

12. Elektra (Jennifer Garner) – Daredevil, Elektra


There’s plenty to hate about the Daredevil movie, and Jennifer Garner’s bland turn as Elektra is definitely one of them. For a character that’s supposed to be exotic and enticing to Matt Murdock, she gives a performance about as compelling as watching paint dry. Oh and on the topic of being exotic, they claim she’s Greek (as she’s supposed to be), yet she makes no attempt to speak with an accent.

11. Gambit (Taylor Kitsch) – X-Men Origins: Wolverine


Much like Daredevil, there’s a lot to hate about X-Men Origins: Wolverine, a stupid story with plot holes big enough to fly the X-Jet through being first and foremost, but it also contains some of the absolute worst comic character portrayals ever (there’s another to come on this list). A primary example of writers shoehorning a character into a story that he had no business being in…and the version we got has very little in common with his comic counterpart other than his name. Gambit is known for his silver-tongued charm and razor sharp wit, yet Kitsch plays him with all the charisma of a coma patient…and seriously, why doesn’t his staff explode like everything else when he charges it with kinetic energy?

10. Lex Luthor (Jesse Eisenberg) – Batman v Superman: Dawn of Justice

Lex Luthor

Oh, the DCEU and their consistent misunderstanding of their own properties. Whiny, neurotic, and just plain stupid…that’s really the only way I can describe this version of Superman’s nemesis. And talk about idiotic motivations: Luthor wants to show the world how dangerous Superman is, so he creates Doomsday, which is even more powerful and dangerous…um, what?

9. The Joker (Jared Leto) – Suicide Squad 


Easily the DCEU’s biggest bomb as a character is Leto’s pseudo-Joker (I refuse to refer to that as the actual Joker). Before I trash his utterly stupid look (which I’m going to), I’ll focus on the actual performance. It’s bad. Just plain bad. Not once did I believe I was watching the Clown Prince of Crime. His motivations are counter to those of the actual Joker, who would never have attempted to break Harley out prison. He would have let her rot until she found her own way out. Ok now for his appearance: what on Earth made them think that THAT is a look people wanted? This “Joker” looks like he’s a douchy rapper that’s part of a drug cartel, who just got some stupid tats in prison, and is on his way to a crappy Avenged Sevenfold concert. Oooo…how “dark and gritty”…

8. The Mandarin (Ben Kingsley) – Iron Man 3


Speaking of pseudo characters. What was meant to be the MCU’s greatest plot twist ended up being nothing more than its biggest middle finger to comic book fans. Turning Iron Man’s nemesis into a fake and nothing but a distraction from the “real” villain, was a giant “F you” to longtime readers who were excited to see this major villain brought to life.

7. Juggernaut (Vinnie Jones) – X-Men: The Last Stand 


If there’s one thing 20th Century Fox knows better than making terrible Fantastic Four movies, it’s delivering awful performances in its X-Men franchise, and sadly this isn’t the worst. A cheap rubber muscle suit and a stupid-looking helmet that’s purpose is never explained in the movie, so he just runs around with a trashcan on his head for the sake of looking dumb. Also, Cain Marko is not a mutant, yet he’s somehow effected by Leech’s power draining ability?

6. Bane (Jeep Swenson) – Batman & Robin 


The first of 3 craptacular portrayals from Joel Schumacher’s equally awful Batman & Robin, making up half of the top 6. Take one of Batman’s most brilliant and strategic enemies and turn him into a mindless monster just because he’s big. Great choice. *insert eye roll*

5. Venom (Topher Grace) – Spider-Man 3


You can tell that Sam Raimi didn’t want Venom in this movie, but was forced to by Avi Arad (former head of Marvel), as he gave the character no direction or seemingly any thought. Totally unbelievable as an antagonist. Why does the symbiote make Eddie Brock bigger, but didn’t Peter Parker? Why did it latch on to Brock and mutate immediately since he didn’t have adrenal cancer like he did in the comic? The only thing worse than Venom in this movie is watching the My Chemical Romance version of Peter Parker dance.

4. Catwoman (Halle Berry) – Catwoman 


Here I am to crap on Halle Berry again. Everything about this role is bad. The acting, the writing, the direction, the costume…all of it. I appreciate the attempted homage to Eartha Kitt’s Catwoman from the 1960’s Batman television series, but the cheesiness and camp are just too much and it comes across like a B-movie performance.

3. Mr. Freeze (Arnold Schwarzenegger) – Batman & Robin

Mr Freeze

But no one out camps Arnold’s turn as Mr. Freeze. Seriously, 75% of his dialogue is cold puns. One at the right moment would have been acceptable and might have gotten a little chuckle, but not a constant bombardment of “chill out’s” and “everybody freeze’s”. It really makes you hate a villain that should actually be one of the most sympathetic antagonists in comic movies.

2. Batman (George Clooney) – Batman & Robin 

Batman Clooney

The final entrant in my dump on Batman & Robin trilogy. Completely unbelievable as Batman. Not even a decent Bruce Wayne. All the things that make Batman special are absent and quite frankly not things that Clooney is capable of pulling off. He was cast simply because he was a hot name.

1. Deadpool (Scott Adkins) – X-Men Origins: Wolverine 


Here we are: the worst of the worst of the worst. Take everything about Deadpool that makes him unique and special and compelling…Hell take literally EVERYTHING away. Instead of kitanas, slap on some blades that pop out of his forearms like he’s freaking Baraka from Mortal Kombat. Instead of guns, have him shoot lasers out of his eyes. Instead of being a mercenary, make him a science experiment and slave. Oh and sew his mouth shut. Wouldn’t want the Merc with the Mouth to actually talk. Because I mean, come on…a source material faithful Deadpool would NEVER work…oh…wait…