Tag Archives: Electro

Worst Comic Book Character Portrayals

While there have been many truly incredible portrayals of characters in comic book movies and television series, there have also been more than a few absolute clunkers. Some of these aren’t necessarily the actor’s fault; they were just written horribly, given awful dialogue, or were stuck with crappy plots. But whatever the reason, they still flopped. Here are my worst of the worst.

25. Iron Fist (Finn Jones) – Iron Fist

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Netflix’s Iron Fist isn’t very good. It lacks an identity, has subpar fight choreography for a show about a Kung Fu master, and the worst thing about it is the lead. There’s literally nothing interesting about Danny Rand. He comes across as whiny and immature. For someone that’s supposed to be a “living weapon”, I wasn’t blown away by his fighting ability. In fact, I’d take Charlie Cox’s Daredevil over his Iron Fist any day.

24. Mystique (Jennifer Lawrence) – X-Men First Class, X-Men: Days of Future Past, X-Men:Apocalypse

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Jennifer Lawrence is a fine actress and seems quite likable as a person, but her portrayal of Mystique is so inconsistent. Her motivations and characterization seem to change from movie to movie, and are whatever the writer needed her to be in that story.

23. Ghost Rider (Nicholas Cage) – Ghost Rider, Ghost Rider: Spirit of Vengeance 

Ghost Rider

Ghost Rider would be a very easy character to make silly and over-the-top, and Nicholas Cage didn’t even attempt to play it otherwise. He’s already known for being quite the over-actor, and it’s on full display here, complete with terrible puns and one-liners.

22.  Dr. Doom (Toby Kebbell) – Fantastic Four

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Will we ever get a good Dr. Doom in a live action movie? Hollywood writers just can’t seem to understand the things that make the character great and compelling. Sadly, another entrance in a long line of failed attempts at bringing Victor Von Doom to life.

21. Jane Foster (Natalie Portman) – Thor, Thor: The Dark World

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Natalie Portman reportedly hated being in Marvel movies, and it shows. For such a talented actress, her performance is flat and uninteresting. She also has zero charisma with Chris Hemsworth, making for a very blah love story.

20. Batman (Ben Affleck) – Batman v Superman: Dawn of Justice, Suicide Squad, Justice League

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If there’s anyone that clearly hates playing their role in a comic movie more than Natalie Portman, it’s Ben Affleck when he dons the cape and cowl. He seems like he’d literally rather be anywhere but making these movies. With the quality of the 3 DC movies he’s been in, I can’t entirely blame him.

19. Colossus (Daniel Cudmore) – X2: X-Men United, X-Men: The Last Stand , X-Men: Days of Future Past

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One of several prominent X-Men characters that are supposed to be from countries other than the US that are passed off as American in the films. Piotr Rasputin, otherwise known as Colossus, is supposed to be from Russia, yet there’s no hint of a Russian accent on him whatsoever. And for a character whose power is to turn his skin into organic steel, we actually see him transform once for all of about 15 seconds in 3 movies.

18. Electro (Jamie Foxx) – The Amazing Spider-Man 2

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Another example of a good actor being stuck in a crappy role. Completely devoid of interest, and despite what was clearly meant to be a sympathetic role, you don’t even feel sorry for the guy because he’s so badly written.

17. Sebastian Shaw (Kevin Bacon) – X-Men: First Class

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Kevin Bacon delivers one of the most one-dimensional performances of his career. You just don’t care about his character whatsoever, nor is the character anything close to resembling his comic book counterpart.

16. Storm (Halle Berry) – X-Men, X2: X-Men United, X-Men: The Last Stand, X-Men: Days of Future Past

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Here’s where the “drop the accent” game started in the X-Men franchise. Halle Berry at least attempted an inconsistent one in the first film, but then dropped it all together in the second movie on. Spoiler alert: this isn’t the only time Ms. Berry will be appearing on this list. I promise I’m not picking on her as a performer in general…just in comic movies apparently.

15. Apocalypse (Oscar Isaac) – X-Men: Apocalypse

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Everything about this take on Marvel’s first mutant falls completely flat. Poorly acted. Poorly written. Poorly designed. Even his plans and motivations don’t make sense. Severely disappointing as I love Apocalypse in the comics and had high hopes for him here.

14. Mary Jane Watson (Kirsten Dunst) – Spider-Man, Spider-Man 2, Spider-Man 3

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Could they have made audiences care less about the love interest of the hero? Mary Jane is supposed to be a constant, grounding force in Peter Parker’s otherwise tumultuous life, but here she’s flighty, annoying, and really serves no other purpose than damsel in distress and creating relationship drama…bouncing around between 7 different relationships in 3 movies.

13. Diamondback (Erik LaRay Harvey) – Luke Cage

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I am unfamiliar with Harvey’s work outside of Luke Cage, but I seriously hope it’s better than what we got in the Marvel Netflix series. Tries way too hard to come across as a cool villain, but it doesn’t work at all. Just rather boring to be honest, especially in the shadow of Mahershala Ali’s brilliant performance as Cottonmouth.

12. Elektra (Jennifer Garner) – Daredevil, Elektra

Elektra

There’s plenty to hate about the Daredevil movie, and Jennifer Garner’s bland turn as Elektra is definitely one of them. For a character that’s supposed to be exotic and enticing to Matt Murdock, she gives a performance about as compelling as watching paint dry. Oh and on the topic of being exotic, they claim she’s Greek (as she’s supposed to be), yet she makes no attempt to speak with an accent.

11. Gambit (Taylor Kitsch) – X-Men Origins: Wolverine

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Much like Daredevil, there’s a lot to hate about X-Men Origins: Wolverine, a stupid story with plot holes big enough to fly the X-Jet through being first and foremost, but it also contains some of the absolute worst comic character portrayals ever (there’s another to come on this list). A primary example of writers shoehorning a character into a story that he had no business being in…and the version we got has very little in common with his comic counterpart other than his name. Gambit is known for his silver-tongued charm and razor sharp wit, yet Kitsch plays him with all the charisma of a coma patient…and seriously, why doesn’t his staff explode like everything else when he charges it with kinetic energy?

10. Lex Luthor (Jesse Eisenberg) – Batman v Superman: Dawn of Justice

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Oh, the DCEU and their consistent misunderstanding of their own properties. Whiny, neurotic, and just plain stupid…that’s really the only way I can describe this version of Superman’s nemesis. And talk about idiotic motivations: Luthor wants to show the world how dangerous Superman is, so he creates Doomsday, which is even more powerful and dangerous…um, what?

9. The Joker (Jared Leto) – Suicide Squad 

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Easily the DCEU’s biggest bomb as a character is Leto’s pseudo-Joker (I refuse to refer to that as the actual Joker). Before I trash his utterly stupid look (which I’m going to), I’ll focus on the actual performance. It’s bad. Just plain bad. Not once did I believe I was watching the Clown Prince of Crime. His motivations are counter to those of the actual Joker, who would never have attempted to break Harley out prison. He would have let her rot until she found her own way out. Ok now for his appearance: what on Earth made them think that THAT is a look people wanted? This “Joker” looks like he’s a douchy rapper that’s part of a drug cartel, who just got some stupid tats in prison, and is on his way to a crappy Avenged Sevenfold concert. Oooo…how “dark and gritty”…

8. The Mandarin (Ben Kingsley) – Iron Man 3

Mandarin

Speaking of pseudo characters. What was meant to be the MCU’s greatest plot twist ended up being nothing more than its biggest middle finger to comic book fans. Turning Iron Man’s nemesis into a fake and nothing but a distraction from the “real” villain, was a giant “F you” to longtime readers who were excited to see this major villain brought to life.

7. Juggernaut (Vinnie Jones) – X-Men: The Last Stand 

Juggernaut

If there’s one thing 20th Century Fox knows better than making terrible Fantastic Four movies, it’s delivering awful performances in its X-Men franchise, and sadly this isn’t the worst. A cheap rubber muscle suit and a stupid-looking helmet that’s purpose is never explained in the movie, so he just runs around with a trashcan on his head for the sake of looking dumb. Also, Cain Marko is not a mutant, yet he’s somehow effected by Leech’s power draining ability?

6. Bane (Jeep Swenson) – Batman & Robin 

Bane

The first of 3 craptacular portrayals from Joel Schumacher’s equally awful Batman & Robin, making up half of the top 6. Take one of Batman’s most brilliant and strategic enemies and turn him into a mindless monster just because he’s big. Great choice. *insert eye roll*

5. Venom (Topher Grace) – Spider-Man 3

Venom

You can tell that Sam Raimi didn’t want Venom in this movie, but was forced to by Avi Arad (former head of Marvel), as he gave the character no direction or seemingly any thought. Totally unbelievable as an antagonist. Why does the symbiote make Eddie Brock bigger, but didn’t Peter Parker? Why did it latch on to Brock and mutate immediately since he didn’t have adrenal cancer like he did in the comic? The only thing worse than Venom in this movie is watching the My Chemical Romance version of Peter Parker dance.

4. Catwoman (Halle Berry) – Catwoman 

Catwoman

Here I am to crap on Halle Berry again. Everything about this role is bad. The acting, the writing, the direction, the costume…all of it. I appreciate the attempted homage to Eartha Kitt’s Catwoman from the 1960’s Batman television series, but the cheesiness and camp are just too much and it comes across like a B-movie performance.

3. Mr. Freeze (Arnold Schwarzenegger) – Batman & Robin

Mr Freeze

But no one out camps Arnold’s turn as Mr. Freeze. Seriously, 75% of his dialogue is cold puns. One at the right moment would have been acceptable and might have gotten a little chuckle, but not a constant bombardment of “chill out’s” and “everybody freeze’s”. It really makes you hate a villain that should actually be one of the most sympathetic antagonists in comic movies.

2. Batman (George Clooney) – Batman & Robin 

Batman Clooney

The final entrant in my dump on Batman & Robin trilogy. Completely unbelievable as Batman. Not even a decent Bruce Wayne. All the things that make Batman special are absent and quite frankly not things that Clooney is capable of pulling off. He was cast simply because he was a hot name.

1. Deadpool (Scott Adkins) – X-Men Origins: Wolverine 

Deadpool

Here we are: the worst of the worst of the worst. Take everything about Deadpool that makes him unique and special and compelling…Hell take literally EVERYTHING away. Instead of kitanas, slap on some blades that pop out of his forearms like he’s freaking Baraka from Mortal Kombat. Instead of guns, have him shoot lasers out of his eyes. Instead of being a mercenary, make him a science experiment and slave. Oh and sew his mouth shut. Wouldn’t want the Merc with the Mouth to actually talk. Because I mean, come on…a source material faithful Deadpool would NEVER work…oh…wait…

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Top 5 Rogues Galleries in Comics – #2

Coming in 2nd in the villain-collection countdown is my favorite superhero, Spider-Man. His cast of bad guys is most definitely one of the best, and is surely one of the most colorful. His villains tend to not be massive level threats, but rather smaller-scale ones that often focus their evil deeds directly at Spider-Man himself. Also one distinction Spidey has over other heroes is that it could be argued that he has two nemeses.

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Spider-Man

 

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The most vicious, personal, and psychologically damaging among his rogues gallery is the Green Goblin. Norman Osborn was the first villain to learn Spider-Man’s secret identity, and has continually used that knowledge to torture Peter Parker ever since. Brilliant both in science and tactics, and given enhanced strength and durability (but driven insane) by an experiment gone wrong, the Green Goblin attacks Spider-Man and his family on all fronts, and is responsible for arguably the defining moment of Spidey’s life: the death of his first love, Gwen Stacy.

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Almost on par with the Green Goblin is Dr. Octopus. He has been Spider-Man’s most consistent enemy having made his first appearance in just the third issue of Spider-Man’s solo comic, and has been wreaking havok on him continually since. Equipped with mechanical arms that he can control telepathically, Otto Octavius is almost singularly obsessed with killing Spider-Man, even once saving him from another villain that was about to kill him, just so he could kill Spidey himself. The history between Doc Ock and Spidey became even more entwined when their consciousnesses were swapped and Ock was dying. Inside Peter’s body he swore to be an even better Spider-Man, but ultimately failed as he didn’t hesitate to kill criminals instead of bringing them to justice.

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As part of his obsession with defeating Spider-Man once and for all, Dr. Octopus formed the Sinister Six, a super group of some of the Wall-Crawler’s greatest foes. Though the line-up has changed throughout its history, the team usually consists of: Electro (ability to shoot and control lightning), Mysterio (expert illusionist and effects specialist), Sandman (body composed of shape-shifting sand), Vulture (brilliant criminal with a bodysuit equipped with wings), Kraven (the world’s greatest hunter who sees Spider-Man as the “ultimate prey”), and lead by Doc Ock. Spider-Man typically requires help from other heroes to defeat the Sinister Six.

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After Spidey manages to remove the Symbiote that had become his black costume, the Symbiote falls onto Eddie Brock, a humiliated reporter that Spider-Man had proved a fraud. Their combined hatred for Spider-Man and Brock’s cancer-ridden body producing extra adrenaline (which the Symbiote feeds on) come together to form a new and totally vicious entity known as Venom. With full knowledge of literally everything about Peter Parker, the ability to block Spidey’s Spider Sense, and a twisted sense of morality, Venom immediately becomes a major threat to everyone in Spider-Man’s life.

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When the offspring of the Symbiote is left in Eddie Brock’s prison cell after his escape, it bonds with his cellmate, the psychopathic serial killer Cletus Kasady. Fueled by hatred for its “parent” and Kasady’s psychosis, Carnage is born. Breaking free and going on brutal killing spree, it took a truce between Spider-Man and Venom to defeat him. Even after his initial defeat, Carnage has continued to be a sadistic thorn in the side of the Web-Slinger.

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When biologist Curt Connors experiments on himself with reptile DNA in an attempt to regenerate the right arm he lost in the military, he is instead transformed into the mindless reptilian monster simply known as The Lizard. He eventually changes back, but will occasionally revert back to his monstrous form without warning. His story is one of the more interesting of Spider-Man villains, as Spidey is stuck trying to stop The Lizard’s deadly rampages but also trying to do so in a way that doesn’t permanently harm Connors.

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Biochemist Michael Morbius attempted to cure himself of a rare blood disease by experimenting on vampire bats, he inadvertently gave himself a form of “psuedo-vampirism” where he must subsist on human blood in order to survive and gains superhuman strength, reflexes, durability, and the ability to fly. His appearence also changes to resemble that of a bat, becoming known as Morbius the Living Vampire. His need to feed has set him at odds with Spider-Man on multiple occasions.

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While J. Jonah Jameson may not be the type of character you think of when you’re discussing a hero’s rogues gallery, but he has been every bit as big of a thorn in Spider-Man’s side as anyone else. Being Peter Parker’s boss at the Daily Bugle means that Peter has to listen to Jameson’s constant hate-filled defaming of Spider-Man on a daily basis. Jameson hasn’t settled to just attempt to destroy Spider-Man’s reputation through the media, but has also been behind several supervillains’ attempts at killing Spidey, including being responsible for the creation of major Spider-Man villain, The Scorpion.

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The Amazing Spider-Man 2 Review (Spoilers)

amazing spider-man-2 poster

As I’ve said before, Spider-Man is my favorite superhero. Always has been. So anytime a Spider-Man movie comes out, I get excited. Sometimes that excitement is rewarded (Spider-Man, Spider-Man 2, The Amazing Spider-Man). Sometimes not so much (Spider-Man 3). I had tried to go into The Amazing Spider-Man 2 with a little less excitement. Not because I feared it would be bad, but just wanted to be a bit more objective. I emphasize that I tried to be less excited, but as I started reading all of the feedback from fellow comic fans, I couldn’t help but be optimistic about it.

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My wife and I went to the theater Sunday afternoon to watch it. I’m sad to say that my excitement was definitely not rewarded. The movie just feels like it’s a set up for more movies instead of being a good stand alone film. The poster is horribly misleading, as Electro, Green Goblin, and Rhino are never on screen together. Aside from Peter’s wise cracks and the relationship between Gwen and Peter, there was nothing really exceptional in the movie. The web-slinging looked really cool, but it was bogged down by constant slow-motion. I get it, Spider-Man can do some really cool stuff, but I felt it took away from the effect by slowing it down. Let me see him doing it in real time. It’s way more impressive. I couldn’t help but feel that I was watching a movie that was made specifically for 3-D without the 3-D (because I refuse to pay more for it unless it’s the only option I have). The acting outside of Andrew Garfield and Emma Stone was decent at best. Sally Field wasn’t bad, but she just wasn’t in it enough. Jamie Foxx was terribly disappointing as Electro. Dane DeHaan was way too snarky for Harry Osborn. But the worst was Paul Giamatti as Rhino. I understand that Rhino isn’t exactly known for his brain, but his portrayal was too over-the-top and campy, and didn’t really fit the tone they were going for. I love Chris Cooper, and thought his casting as Norman Osborn was brilliant. He’s a top-notch actor who could bring some real credibility to the role…but then he died after his first scene!

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As I mentioned in my last post, the Green Goblin (specifically Norman Osborn) is my favorite villain ever. I was worried about what his role in this series would be when it was announced that Harry would indeed be the Green Goblin and not his father. I was still hopeful that they would lay the groundwork for Norman to assume the role or mention that he was actually the Goblin at some point prior to Harry.Imagine my frustration when what I actually got was Norman dying 20 minutes into the movie. His legacy in the Spider-Man mythos was wiped out completely.

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But the most grievous of offenses was the death of Gwen Stacy. That moment in comics is one of the most iconic and gut-wrenching in comic history. It destroyed any doubt who Spider-Man’s true nemesis was, as before then it could be argued that Dr. Octopus was his greatest enemy. But Norman Osborn, as the Green Goblin, uses Gwen Stacy as bait to kill Spider-Man. In the ensuing battle between the two, Gwen is thrown from the top of the George Washington Bridge. Peter shoots a web down to catch her, but the sudden stop breaks her neck, killing her instantly. Peter blames himself for her death and the guilt weighs on him for the rest of his life. To take that away from Norman Osborn and give it to Harry infuriated me beyond belief. Yet again, they’ve erased his legacy from the story. The event is a turning point not only in the life of Peter Parker and the Spider-Man comic legend, but in the history of comics as a whole. It was quite literally the loss of innocence in comics. And to have that monumental of a moment handled so poorly was a travesty and was a blatant thumb in the eye of comic fans. Gwen’s death comes out of nowhere with no real build. On top of the terrible handling of the moment itself, 15 minutes later, Peter is fine and out making jokes as Spider-Man again. There’s no feeling at all that her death still weighs on him.

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Overall I was thoroughly unimpressed with this installment in the Amazing Spider-Man series. I hope that this isn’t a taste of what’s to come, but in the words of the great philosopher George Lucas, “I’ve got a bad feeling about this.”